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Literature
Sorrowbird
I watched him flap helplessly between the teeth of a barbwire fence, screeching for help.
"Papa, look Papa! A boy!"
My papa stood dazed for a moment, dust billowing at his legs, his eyes teetering along the field. It wasn't until later that evening he told me he hadn't understood what I had seen. What he had seen.
With grass tickling the backsides of my legs, I bounded toward the boy, "What are you doing? Are you okay?"
As I approached him, I felt his skittish eyes rake across my every movement. With his ten-year-old arms slung inside the gaping maw of a fence and darkened feathers pasted along the creases of his face; he looked squarely
Literature
on seeking solace in strangers
And she felt like home
her arms gave
way to the sand
castle of her
chest,
she was
inexplicable
and
obscene
and
vulgar
and
i loved her for it
i knew
she was a dragon
of a girl
even with
charcoal creases
beneath her eyes
and smudged
vowels
l
e
a
k
i
n
g
from the corners
of her lips
like a faulty tap
to me she was beautiful
like those obscure
lapses in time
at 3.25 AM
with her legs
stretched across the
window sill
smoking my cigarettes
as she let her words
fold themselves
into the quiet
s p a c e s
around us
she still sparkled
with this rebellious
twinkle in her eyes
and
Literature
reminiscence
someday we won't remember this
no one will, not the dirt or stars,
not the dust scattered when a sun
dies and the universe swallows its birth
not the men who wasted lives
proving theories long debunked or
the whores leaning in doorways to fuck
soldiers who won't come home
and no one will remember the dog
hit on route sixty-three, the first guts
i saw glistening in summer heat
just as no one remembers i was the kid
they called to crack open the fire hydrant
because no one else could and they
shrieked, soaked in water no one remembers,
soaked in water that could have saved lives,
water circling into the sewer,
waste no one
rememb
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...
To me, there's nothing more important
than experience.
I'm not just talking about experience in terms of wisdom;
rather, experience, as in
moments when you really feel.
...
This poem has been revised. View the original at: sta.sh/019km4pwhemu
...
I'm in the process of rewriting this piece. Please refrain from posting critique until I've removed this message.
I've completed revisions! Please feel free to critique.
...
My critique:
fav.me/d5z69s7
(In comments)
Questions: (keeping it simple this time)
1)Is "Appointments to go to" a correct phrase? I feel like there's a better verb...
Replaced "go to" with "keep" as suggested by ~edithjade
2) Any comments on style?
*) Extra Credit: Any discussion on content?
*) Extra Credit 2: Please take a look at the original: sta.sh/019km4pwhemu
Which parts do you think are better/worse than before?
It's been a long while since I posted a poem up, so thanks for reading!
To me, there's nothing more important
than experience.
I'm not just talking about experience in terms of wisdom;
rather, experience, as in
moments when you really feel.
...
This poem has been revised. View the original at: sta.sh/019km4pwhemu
...
I've completed revisions! Please feel free to critique.
...
My critique:
fav.me/d5z69s7
(In comments)
Questions: (keeping it simple this time)
1)
Replaced "go to" with "keep" as suggested by ~edithjade
2) Any comments on style?
*) Extra Credit: Any discussion on content?
*) Extra Credit 2: Please take a look at the original: sta.sh/019km4pwhemu
Which parts do you think are better/worse than before?
It's been a long while since I posted a poem up, so thanks for reading!
© 2013 - 2024 unenglishable
Comments12
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Overall
Vision
Originality
Technique
Impact
Hi there! This is a critique on the behalf of #PoeticalCondition.
Starting from an inconceivably large perspective and working your way down to daily routines was an interesting way to spin this idea. I would've liked to have seen that tied in a bit more, though.
Ending with "we lie in the grass and gaze at the stars" was wonderful a wonderful start, but I feel like the line connecting them was very tenuous. As much as I loath to say so about a poem, it needs more explaining to make that bit relevant. Why does the planet's slow, ancient three-step waltz matter when I have an appointment to keep? Because my entire lifetime is but the shadow of a grain of sand on the shores of those stones' eternity.
Overall, your word choice was excellent, but there were a few places where it needed a bit of work I felt.
"We get so caught up." There's a better way to say that. You don't see the word "get" in a lot of poetry for a good reason; it's really an unflattering word. Something an angry old man screams at a stray dog, not something a poet uses to describe moments of treasured experience.
'We're so caught up' or 'We are so often swept away,' since the next line is about the rising and falling tide.
You use "oh-so" twice in the span of a few lines, some of which are one-worders; twice isn't enough to establish repetition, and it sounds a little like grasping for a better descriptor.
Other than those two, which I felt really needed addressing, some of your other words could use some attention. Otherwise, they risk sounding cliched and overused. 'Rising,' 'falling,' 'slow.' There are better words to describe what you're looking for - stronger words.
If this were a novel, I'd tell you to stick with short and simple in most cases, but here, in a poem, you're waging a literary war on someone else's perceptions: to quote a character from Inception, "You mustn't be afraid to dream a little bigger, darling."
As for linebreaks and formatting, I feel they were done very well. They don't detract from the poem at all, in my opinion, and toward the end, the one-liners really add to the feeling of being infinitely small.
Excellent work over all. Thank you for submitting this. <img src="e.deviantart.net/emoticons/s/s…" width="15" height="15" alt="" data-embed-type="emoticon" data-embed-id="391" title=" (Smile)"/>